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Instead, you can hold out, find a person with whom your souls connect, and live happily ever after. For example, when the Beast releases Belle as his prisoner, he gives her the freedom to truly love him. It is only through this relinquishing, that Belle can understand her true feelings. By naming a person, the parent is predetermining their child to answer and identify with that name. The name Belle translates to beautiful or beauty from the French language.

Howard Unruh’s “Walk of Death” foretold an era in which such tragedies would become all too common

Bell though, almost seems unaware of her good looks. For example, while Belle walks through town, her head buried in a story, she is oblivious to all the commotion she is bringing about. The rose, while beautiful and seemingly fragile, has managed to live for ten years. While it is enchanted, the rose must still be protected, and is held in high regard. Belle, similarly, is beautiful and dainty, but strong. She earns respect through her decisions, and does not need to be taken care of. She is strong enough to find her father, strong enough to give her life for his, and strong enough to stand up to the Beast.

Belle also questions the interpellated messages she receives from the general public.

Belle breaks these traditions in numerous ways. She also does not try to hide the fact that she loves to read. She sat on a fountain, in the middle of the town, and sang about her love of books. Indeed, there is a different way to live life, at least for Belle. Unlike many women, Belle is not one to be influenced by appearances, good or bad. She does not fall into the trap of liking the cool guy, just because everyone else does.

While her first reaction to the Beast is terror, she does not actually fear him. If she feared him, she would not have spoken out to the Beast like she did. Not intimidated by his looks, she talks to him like the mean-spirited person he is. This showcases the amount of agency Belle has determined is rightfully hers. Some may feel that Belle is the typical young lady, looking to find her prince.

After all, her favorite part of the book she reads by the fountain is when the girl meets her prince, but does not know it yet.

Dr. Ann McKee

I would argue that the books she finds so intriguing are an escape. While the particular storyline read by the fountain does predict the outcome of the movie, it also illustrates and shows how Belle is feeling. She feels trapped, like the only way she can escape her suffocating world is to read about others where there is adventure and romance. She may want the romance and the white knight on the horse, but she is not willing to compromise who she is inherently, for the gain of something she does not deem true and worthy.

She wants to be a person, first and foremost, and have someone understand what she feels.


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Belle avoids the interpellation of her peers and society through staying true to herself, and, in the end, she gets her prince. She does not succumb to the prodding of Gaston, and even her father in the beginning, to marry and become a mainstream household wife. Instead, she uses her ability to love truly to find the man, or beast, with which she is meant to be.

These children who praise a movie that is clearly derogatory, and gross degrades the ethical teachings they should be learning. The stereotype for children is that they should learn valuable, and critical lessons that will help them in life. The movie also demeans authority figures such as, the government, the president, teachers, principles, parents etc. One of the best examples of this idea of carnivalesque is when Cartman defies his authority figures.

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While sitting in class Mr. Unwilling to cooperate, Cartman instead curses at the teacher and is sent to the office. In the office, he again curses at the principle. Both authority figures are surprised by these acts of defiance; they do not know how to punish this behavior. Instead, Cartman is free to say and do what he pleases, to whomever. This scene depicts the role reversal of authority. It is Cartman who holds the power, and not the typical adult authority figure. They are repeatedly unsuccessful.

This is the essence of carnivalesque , as it uses absurdity and humor to undermine what is normally revered. South Park proves to be a progressive movie for a number of reasons. As Stan approaches his town he is singing about how wonderful it is, and how people treat each other well. However, it is obvious, that the people are actually pushy, rude and hateful towards one another.

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It depicts the innocence of nature, and a song about love, happiness, and people getting along. As the song continues, it drastically changes from pleasant, to disturbing and silly. People are cursing one another, babies are being thrown through windows, and homeless men are drinking on the side of the road. Kyle, Stan, Cartman and Kenny all have a great amount of power within this movie, as they defy their parents and curse at authority figures.

However, this movie also gives a great amount of power to a woman. His hilarious, uncommon voice greatly shows carnivalesque. Unlike a normal baby, Stewie not only can speak his mind, but he also can do it articulately, like an adult. In fact, he is smarter, more talkative and wiser than the stupid immature dad, Peter, in the show. Repeatedly, he disrupts his parents from making love in order to stop them from creating another baby.

In one scene Stewie walks into his room, hits a button on the wall, which collapses and shows a hidden spaceship behind it. Stewie succeeds and the parents never end up having a baby. Symbolically, the spaceship represents all the power Stewie has in his life. Such a complicated, high-tech machine for a baby to control signifies how he has the command to manipulate what he pleases. By inhibiting their chances of creating a baby, Stewie clearly portrays the carnivalesque idea of role reversal.

Parents are normally the ones that direct the life of their baby. However, Stewie diminishes this norm, which is an apparent depiction of carnivalesque ideas.


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In one scene Homer becomes jealous when he hears Flanders has given everyone a Christmas gift. He therefore begins to plan on how he will buy everyone a car to exceed Flanders act of generosity. Just remember the spirit of the season.


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  • Once again, the roles are being reversed. Lisa, a little girl, has to explain an extremely important concept to her father. In addition, this episode depicts Homer to be as dumb as a cat or dog. All three Homer, the cat and the dog are wearing Christmas sweaters.

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    As the dog and cat roll on the ground biting at theirs, so does Homer. Carnivalesque often portrays these types of role reversals, and undermining of authority. Stereotypically, the male adult figure is one that carries the most knowledge, power and authority.

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    However, Homer truly acts like a child. He is selfish, silly and immature. Instead this intelligent and powerful status is given to a seven or either year old girl. Carnivalesque is depicted, as a complete opposite role reversal is apparent. The strong characters in these two shows are the children, Stewie and Lisa. These shows dramatically change what is normally viewed as traditional.

    Parents no longer teach their kids, rather the children teach them. They are merely reversed. These thoughts encourage us, as the audience, to rethink what we consider as normal. However, all three portray these concepts beautifully. From role reversal, to degrading authority, and to using humorous situations, voices, and bodily functions to mock the revered, these shows are carnivalesque. In addition, they break the stereotype that creates a conservative work.